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Download PDF by Edmund. Leach: A Runaway World? The Reith Lectures 1967

By Edmund. Leach

ISBN-10: 0563074337

ISBN-13: 9780563074335

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The overwhelming majority of movies up to the 1970s ran with the established, dominant value system. Only with the release of movies such as Little Big Man (1970), Alice Doesn't Live Here Anymore (1974) and Shaft (1971) did indigenous peoples, women and black peoples respectively return to the silver screen in a nondiscriminatory way. The breaking-open of the dominant discourse was largely left to independent movie-makers such as Melvin van Peebles Sweet Sweetback Js Baadass Song (1971) or Jill Godmilow's Antonia: A Portrait of a Woman (1974).

13 The desire for a purer, more refined American linguistic and literary tradition, a desire with which writers such as Henry James sympathized, formed one response to this joyous mayhem of the vernacular. Another response, one that is considered more closely below in the discussion of the construction of an American elite narrative, was that of literary nationalism embodied initially in the efforts of the 'Young Americans' based in New York in the 1830s and 1840s to promote a distinctively 'national' American literary culture.

Superman and Batman first appeared in the 1930s. The context of the Nietschean Ubermenschen (the idea of the 'superman') and rise of Hitlerian Germany infused the idea of all-powerful, avenging figures imposing authority and orderliness on a chaotic, anarchic world. Both characters experienced re-inscription in the context of the shifting historical moment and corporate proprietary attempts to recodify the acceptable face of the superhero. This was most obviously and intriguingly true of the deployment by the American Establishment of these superheroes as spokesmen for American values against the evils of the Axis Powers during the Second World War.

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A Runaway World? The Reith Lectures 1967 by Edmund. Leach


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